Non Comic-Con Jon!

I did not get a ticket for Comic-Con this year.  Boo.  I moved all the way across the country and, now living right in downtown San Diego, was totally psyched to finally attend the world’s premiere pop culturepalooza.  Nobody told me 100,000 tickets would sell out in 45 minutes!


So no, I did not go to the Con...but I did soak up every free ancillary event, and boy howdy, there were many! It’s amazing how not just the convention hall, but the entire city comes to life with sights to see and people to meet.  In addition to the Nintendo events described in my other post, these were the highlights:


Holy Batmobiles, Batman!

Every Batmobile from every Batman movie was out on display! Seriously, just sitting there on the lawn for everyone to see! Only a velvet rope and possibly armed security guard stood between me and having the most badass garage ever.  I can attest the Tumbler is in fact the coolest.  That thing looks like it feeds on lesser Batmobiles.

The SEGA Exhibit

Across the street from the Nintendo Lounge, as though rekindling the 16-bit wars, was the SEGA exhibit.  It was set up in a wine store, clearly to promote drinking and driving in Sonic and All-Stars Racing Transformed.  Outside was an actual race car adorned with decals from the game and a life-size Sonic statue securely bolted to the ground so I couldn’t steal it despite my best efforts.

The big draw was their much-hyped Aliens: Colonial Marines.  Syd Mead, renowned concept artist of Aliens, was on hand for autographs and a giant 20-foot Alien statue loomed over the premises.  Eight monitors played host to a LAN match where four guests as marines challenged four SEGA representatives as aliens.  Although I don’t consider myself a real FPS nut, I like shooters and ACM was fun.  As a Wii-only gamer this generation I’m excited to jump fully into the online arena, and I’ll pick up Colonial Marines when it debuts on Wii U.

While waiting to play the game I recognized one of the SEGA employees - Craig Harris, former member of the IGN Nintendo crew! I've been a loyal IGN reader since I first bought my N64, entered N64.com into my browser the next day, and came up with their website.  It's always great to meet someone who's not just a video game fan but specifically a Nintendo fan.  Craig was super cool and cleared some Miis from his Mii Plaza so we could StreetPass, and even gave me a cool Alien facehugger toy.  Thanks Craig!

Famous People

I saw a bunch of other familiar faces just walking the streets: Adam Sessler, Garfunkel & Oates, Mike Fahey.  I crossed paths with Anna Kendrick which was capital-A Awesome since Scott Pilgrim is one of my favorite movies.  The cast of Community did a free presentation on the Warner Bros. stage just outside the hall.  I meant to catch Kevin Smith on the same stage, but misunderstood the program schedule and arrived at the wrong time.  It’s comforting to walk the same streets as them and feel that these people you admire are not only industry employees, but fans just like you.


The Microsoft Lounge
The Microsoft lounge was a bit disappointing.  It felt too cluttered like your average LAN party but with prettier lighting.  On hand were some stars of a Crackle web series, a connection I didn't quite understand, though after watching enough Microsoft E3 conferences random celebrities appearing alongside games seems to be a chief marketing strategy.  My time was running short and all the TVs were occupied so I didn't play any games, but from what I saw Sleeping Dogs and Tomb Raider both looked like fun.


The Bandai Namco Arcade

Bandai Namco brought a fleet of classic arcade games and stationed them outside for anyone to play, no quarters required.  I jumped right to Pac-Man, anxious to get my fix since abandoning my Ms. Pac-Man machine at my sister’s house when I moved from Michigan (though I honestly tried to fit it in a mini-van along with everything else I own).  Most of their well-known properties were there, including Time Crisis, Tekken, and Soul Calibur.

The Spike TV Bar

Spike TV, a channel I loathe, nearly won me over by renting out the bar at the Hard Rock Hotel and offering food and drinks FOR FREE.  Beer, margaritas, whatever you wanted, done.  I tried to bankrupt them into not affording any more episodes of Manswers.

As Comic-Con's grown larger it's become blemished with companies whose agendas don't quite match the Comic-Con spirit.  A Spike TV photographer approached my corner of the restaurant.  She had her choice of subjects to photograph: the two blondes in mini skirts sitting at one end of the bench, or just five feet away, me in my Mario shirt and Power Glove eating Haagen Daz on a stick.

She did not pick me.  Sigh.

We Can Be Heroes

DC Comics overtook a local art gallery with some very creative and liberal interpretations of their most popular characters.  These were familiar images chewed up and spit out as uniquely personal visions.  The works were coupled with touching images of people being real-life heroes around the world.  As a whole, the exhibit was a thoughtful meditation on how fictional characters can inspire the best in us.  

Breaking Freaking Bad!

I didn't know until too late, but Breaking Bad premiered its season debut episode at the Gaslamp theatre Saturday night.  I knew they were at the Con, but I thought it was a paid event.  Bummer! Of course the cast was there with a Q & A and everything, but maybe it's for the best I didn't go.  I like knowing as little as possible about that show before each episode.  I even change the channel when the preview ads appear on TV.  Normally I don't care about spoilers because I'm not into entertainment for the surprises; I'm more intrigued by the mechanics of the story and how it's constructed.  Breaking Bad, however, is special as it's entirely about people playing their cards close to their chests.  What a phenomenal show in every regard.

Just Walking Around

Sometimes the best part of going someplace cool is not doing anything in particular, but just being there amidst the fun.  Without any particular plan, I walked the length of the hall several times, up and down 4th and 5th Avenue, and everywhere I looked was entertained by something: a guy playing guitar here, a zombie march there.  The pedometer on my 3DS said I walked nearly 11 miles that day, but I never felt like stopping.  I was on a treasure hunt, and obsessed with finding more.

Free to Be You and Me

I'm still not coming down from my Comic-Con contact high.  It was amazing, and remember, I didn't even actually go to the convention.  Everything I mentioned here was absolutely free.  I knew Comic Con was big, but its size is really something that can't be conveyed in writing.  It consumes all of downtown San Diego, brings together scattered and varying factions of nerd-dom under one roof and spilling out into the streets.  It reverses the trendy Gaslamp district to a welcoming celebration of all the people who'd normally be laughed back to their parents' basements.  To many, the Con itself is a superhero, bringing to the popular conscience their most beloved story or character - the axis on which their world spins.

Most importantly, it allowed me an excuse to walk around in public wearing my Power Glove, something I've always wanted to do.  I love that thing.  It's cool, I think, but now with the Con complete, if I'm still wearing it people will call me crazy.  This past weekend, I wore it proudly.  And from a lot of strangers who, otherwise, I'd never guess loved the Power Glove too, all I got were high fives.

The Nintendo Gaming Lounge

Last week I received a surprise email from Nintendo cordially inviting me, as a *Platinum* member of their rewards program Club Nintendo, to their special corner of Comic-Con (the asterisks are sparkles).  As a *Platinum* member, I was granted extra special access to an extra extra special corner of their special corner, an extra extra special corner so extra extra special it wasn’t even marked for the general public, like to them it didn’t even exist.  Hidden from the peons was...

The Wii U Experience
When I got that email I nearly grew a Tingle balloon and floated away.  Not only was Nintendo going to be at Comic-Con, but they’d personally invited me to try their new system - which wouldn’t even be available for another four months!  And so after a week of pretending to pay attention to everything else in my life that was not Wii U, I brought my wife and my brother-in-law to the Nintendo Gaming Lounge.

I bypassed the 3DS XLs, free posters, and all the stuff that normally would catch my interest in search of a Wii U GamePad to greedily swipe from the hands of any child or old lady, but couldn’t find one.  There were no indications the Wii U was present anywhere, but there was a table with Nintendo representatives blocking a certain mysterious passageway.  One mention of my very special invitation, and I soon found myself adorned with a bright blue wristband featuring the classic Nintendo logo.  Like I’d whispered the password at the door of a speakeasy, we were in.

Here was the real show, and for a lifelong Nintendo fan it was dazzling - twenty-odd TVs each playing host to unreleased Nintendo hardware I could touch and play and fall in love with, all as my favorite company’s guest of honor.  I imagine it’s pretty standard stuff for game industry veterans - you check out a game, get a personal tour through a demo from a company representative - but this was my first personal brush with the industry after years of diligent observation, and I was enamored with every sight and every moment.  This opportunity was better than any Club Nintendo reward, and felt like just the “thank you” I deserved after a lifetime and thousands of dollars spent playing Nintendo games.  It was a fan service knockout.




One's first time seeing new game hardware with your own eyes is always surreal.  After months of studying it afar from videos and photographs, that instant is akin to seeing a real live celebrity: you can’t believe it’s there in front of you, that you’re there in front of it, and should you so choose, you and it could interact right now in real life.  How exciting! This disassociation was amplified by my circumstances meeting the Wii U at a Nintendo event, but within seconds of playing I knew I was with an old friend.  Nintendo has a history of revolutionizing one generation, then evolving the next: NES was a revolution, SNES an evolution.  N64 a revolution, GameCube an evolution.  Game Boy to Game Boy Advance, DS to 3DS, and now Wii to Wii U.  The Wii U will not upend the tea table as the Wii did, and that’s fine.  Hardcore gamers can argue all they want about Wii’s shortcomings, but after selling more consoles than their competitors combined it’s clear Nintendo was on a winning path.  A mere evolution again makes absolute sense.

The GamePad addresses the hardcore’s major complaint: the blanket implementation of motion control.  Now the uncontested star of the platform is a two-hand, dual analog stick, sit-on-your butt controller that even doubles as a snack plate.  But please resist the temptation to pizza-grease your GamePad because dammit, that screen is likely the best you’ll see for its price.  I’ve read reviews, apparently from tech snobs, that deride or gloss over the image quality.  Forget that nonsense.  The majority will say it’s comparable to a first-generation iPad, and for a product that likely costs $80, that’s impressive.  As for the touch responsiveness I don’t feel I had enough experience with it for a final judgement, but it seemed to work well.  A concern for those without extra-long thumbs: If you’re holding it like a normal controller then need to use the touch screen, some jumbling around may occur.  I can’t see any games requiring split-second touch screen finger gymnastics.

The machine itself, aesthetically, is unimpressive.  The original Wii stands proudly exuding its striking simplicity; the Wii U simply exists.  With its rounded edges, elongated rectangular shape, and the way it puts me to sleep, it reminds me of a pillow.  If game machines are one day to disappear in favor of OnLive or iTunes, Wii U looks like a console regressing into oblivion.

Ultimately I can live with a spotlight-shy pillow machine on my shelf - let’s talk games.  On display I found the same games from E3, so I’ll forego listing everything I saw and just discuss what I found notable.


Nintendo Land - Luigi’s Ghost Mansion
FULL DISCLOSURE: I’m a Luigi man.  Ever since my bigger, stronger older sister wrestled her way to the first turn at Super Mario Bros., I’ve identified with gaming’s quintessential Player 2.  He’s the reason I, as a child in the pre-internet days when someone could’ve warned me against doing so, bought Mario is Missing.  After owning Mario Kart 7 for five months, he’s still the only character I’ve ever tried, such is my devotion.  And today, visiting the Nintendo Lounge for the second time in as many days, this shameless 29 year-old adult man asked another adult, who incredulously responded “okay...”, to take his picture with a third adult dressed as Luigi.  Here is said picture - I mean, here is a sad picture:

Playa 2 4 Lyfe

Luigi’s Ghost Mansion throws players into a mansion designed similar to a maze from Pac-Man.  Four Wiimote-toting ghost hunters armed with a flashlight and a Poltergust 3000 hunt a fifth player, the ghost, who plays via GamePad.  On the TV the ghost is invisible, but on the GamePad he’s tasked with sneaking around and killing, er, “scaring” the other players.  The hunters can feel the Wiimote vibrate if the ghost is near, encouraging vocal coordination between players to find their target.  This game is the Wii U’s best proof of concept - it’s something that’s never been possible before, offers two unique viewpoints of the same game at once, demands cooperative discussion among players, and makes you anticipate the day Nintendo matures it into a full-featured game of its own.

Project P-100
With nary a Katamari in sight, the search for quirky Japanese what-the-fuckery ends with Platinum Games’s Project P-100.  A few games have razor-sharp presentation (Rayman Legends, ZombiU, Lego City Undercover) but Project P-100 is the one whose style I find the most focused and refreshing on Wii U.  This game is bonkers, the most fitting journalistic term for anything that involves 100 superheroes, at least one of whom wears a toilet as a hat, following your commands all at once.  The game radiates a cheerful, cartoony charm, and the 3/4 viewing angle paired with the city's plastic sheen reminds me of tearing around toy playsets with my action figures.  Stay weird, Japan.  Stay weird.




Pikmin 3
When the original Pikmin debuted at the GameCube's launch, I only had enough money for two games.  The Tony Hawk craze was at its peak and I was awestruck by the graphics in Factor 5’s Star Wars game, so I opted for Pro Skater 3 and Rogue Leader over Miyamoto's colorful take on the RTS genre.  Then Pikmin 2 came, and I couldn't play that without playing the first one now, could I? Here in 2012 Pikmin 3 is nearly done cooking, and from what I played, it seems I'll finally lock myself indoors for a few days to catch up on Captain Olimar's adventures.  Clearly Pikmin is meant for HD; seeing each groove in every leaf truly sells the miniature scale.  Use of the GamePad is apparently relegated to displaying maps, which is disappointing considering the possibility of commanding a tiny horde via touch screen.  Nevertheless, the Wiimote works just fine and I want to play more.





Game and Wario
The Game and Wario demo included four mini-games, two of which I really liked. The first uses the GamePad as a camera and tasks you with snapping photos of wanted criminals in a crowded Where's Waldo-type scene on the TV.  They’re moving around, and you have to center them in your viewfinder and take a quality photo à la Pokemon Snap.  I'm a fan of such leisurely games where you can sink back in the couch and really take your time.  They’re a nice break from the barrage of edge-of-your-seat run-n-gunners. The second mini-game takes place in a busy market.  The GamePad player tries to blend into the crowd and covertly steal fruit, while other players watch on the TV and try to identify the criminal.  It's another in a long line of examples of Nintendo creating entirely new types if gameplay.

BONUS: Game and Wario includes a realistically-designed model of Jimmy and retains the fluffy blue afro.  Oddly compelling.








ZombiU
I'm about as enthused as a zombie at a salad bar by the prospect of yet another zombie IP entering the world.  ZombiU has my attention, however, because it's a very well designed and properly atmospheric zombie game that introduces at least a few very clever twists.  Playing as multiple characters, if killed you take control of another character who must then find and kill your zombified former self to retain your items.  The GamePad is your knapsack, and you cannot pause the action while rifling through it for supplies - just like in the real zombie apocalypse, you must manage your weapons and watch your back at the same time.  It's also your sniper scope, a means of pushing away an attacker, and probably more than UbiSoft's ready to showcase.  Of all games there, ZombiU was the most hardcore and most convincingly sells the hardcore crowd on the many benefits of the GamePad.




Scribblenauts Unlimited
I bought the first Scribblenauts for DS on day one based solely on its promising central concept (well, that and the free rooster hat preorder bonus).  The second installment threw adjectives into the vocabulary, and now this first-ever console edition allows creation of your very own objects as well as a story mode, which, as a writer, is always welcome in my opinion.  The simple fact that it’s now on a TV is reason enough for me to want Scribblenauts again as it’s always been a game I enjoy showing to friends.  I can easily see an entire family sitting in a living room working together to imagine creative puzzle solutions.




LEGO City Undercover
I love the idea of a LEGO video game unencumbered by a license.  Whereas previous games in the series had to be something else in addition to LEGO, this game gets to celebrate the childhood staple itself.  It looks like the worlds we all created with the basic LEGO sets we all once owned, only this set is massive and alive.  Gameplay is akin to GTA Lite, casting you as a police officer patrolling the plastic city.  I can't help but hope for some yet-unannounced SimCity-style construction and management; I want to build my own unique world then play in it.





New Super Mario Bros. U
This one's notable, but not for a good reason.  Innovation is expected with any Mario game, but the New Super Mario Bros. series is treading water.  The big innovation in NSMB Wii was four-player gameplay, and this time we get...blocks? Touch the screen and an extra block appears to assist with platforming.  As Mario might say sarcastically, wahoo.  It was fun, but after we played it my less-informed wife asked why they had NSMB Wii in the demo room with a bunch of new games.  Millions more won't see the difference either.

SIDEBAR: Can we forever ban the use of the word "new" in a title? The New Adventures of He-Man is from 1990, yet it's still called "new".  This is madness.

ANOTHER SIDEBAR: Still players 3 and 4 have to use generic toads? This game begs for the classic SMB 2 cast! I realize that'd make Peach have to rescue herself from Bowser...maybe it's Daisy's turn to get kidnapped! Daisy must be a pretty shitty princess if Bowser always chooses Peach.  But enough digressing; Mushroom Kingdom politics are a topic for another day.




The 3DS XL
NO SECOND CIRCLE PAD WHYYYYYYYYY?!

Okay, now the rest of my thoughts on the system whose name includes a number, an X, and no vowels: I wish they'd released this back in March 2011 instead of the standard model, because it's significantly better.  The screen size is much more in line with what’s expected from modern tech.  The increased dimensions mean each pixel is more pronounced, but also mean an improved 3D viewing angle.  I’m not a fan of the rounded edges and think the aesthetic redirection is a misstep - the original casing is pretty sexy already.  I also dislike the more pronounced start, select, and home buttons.  Small potatoes, but the 3DS’s non-button buttons are properly modest as they don’t require frequent use.  Lastly I hugely prefer the XL’s size for the comfort factor.  I’m 6’6” and my large hands cramp every time I play my 3DS.  If Nintendo aims to make games for everyone they should stop making handhelds for child hands and only release XL sizes.  Will I spend $200 to upgrade? Considering I already spent $250 for the original and that trade-ins are a no-no for me (the collector in me needs to own the original of every system), I will wait until the price nears $150.


3DS Games
These were the main attraction for anyone not aware of Wii U’s presence (the old Wii was barely represented with only Just Dance 4 and a video of Kirby: 20th Anniversary Special Collection).  Among them were:

New Super Mario Bros. 2
Sure it’s as fun as you’d suspect, but like NSMB U, the innovation just isn’t there.  The big twist now is you can turn everything into coins.  Okay, just take my money.  Let’s-a go.

YET ANOTHER SIDEBAR: Now the name just gets even more confusing! Why is this edition number 2? Does NSMB Wii not count? Or NSMB U? Or maybe it’s a remake of Super Mario Bros. 2? And still, in 50 years, it will be called “new”.  Bah!





Castlevania Lords of Shadow: Mirror of Fate
Castlevania portables have been on a hot streak for over a decade now, and Mirror of Fate continues the trend.  Combat is incredibly satisfying.  Jump, and your character hovers mid-air as you flick the circle pad and hit the buttons to lash your whip.  It plays on a 2D plane with a 3/4 viewing angle much like the 3D mode in Street Fighter 4 3D, which makes it a bit funny to see villains ahead sort of just waiting in line to attack you.  That is their sole purpose, their lot in life.  I had fun releasing them from their misery.





Luigi’s Mansion 2: Dark Moon
Two Luigi games in one year? Hooray! Anyone familiar with the original will feel right at home.  One fault: a second circle pad would’ve helped with aiming the Poltergust.  A second built-in circle pad.  Other than that it’s a perfect translation of everything that made the GameCube launch title so memorable.  Adding 3D to the formula works beautifully, and compliments the slow-paced exploratory gameplay.  The effect is reminiscent of a diorama, meant to be examined and admired.




The Perks of Being There
Nintendo knows how to please a crowd! Anyone who tried NSMB 2 received a free t-shirt.  Other swag included a Kirby: 20th Anniversary Special Collection poster, a Pokemon Conquest poster and bookmark, and Kid Icarus AR cards.  I witnessed the taping of Nintendo Show 3D, and IGN’s Greg Miller and crew stopped by to film Wii U demos.  Mario himself was there too, on a video screen and answering questions from the crowd.  And finally, after a well-worth-it two-hour wait in line, I got to meet Charles Martinet (voice of Mario, Luigi, and a bunch of other Nintendo characters)!  He even signed my Power Glove!

Look! We adopted Charles Martinet!

"Jon: You number one! Your pal, Mario - Charles - Woo Hoo!!!"

"Jon: Here we go! Mario CM" (plus a mustachioed smiley-face)

Zelda in Concert

Cat and I bought tickets to the Legend of Zelda: Symphony of the Godesses on Thursday night after a full day spent at the Nintendo Lounge.  Thursdays are our weekly date days, and since this one was round-the-clock Nintendo, we dubbed it Nintendateday! If you should ever have a Nintendateday, I suggest capping it off with a Legend of Zelda symphony under moonlight on the shore of the Pacific ocean.  It was classy, romantic, and nerdy all at once.  A highlight came during the dark and moody ouevre of Twilight Princess, when a passing cruise ship ruined the moment by - for whatever reason - blasting the corniest banjo music ever conceived.

It's striking to experience what's meant to be an intensely personal series with such a huge crowd.  With Zelda, Nintendo crafts an adventure that makes every accomplishment feel uniquely your own.  It's the excellent characterization, the sense that Hyrule always revolves around you and your actions, the constant praise from the game itself ("You got the compass!" "You got a red rupee!"), the omnipresent rewarding mystery chime, how you can rename Link whatever you want (can't do that with Mario even)...Zelda, moreso than most games, is your game.  So to experience it in unison with several hundred people and feel each emotional beat as one audience, each attendee recalling their personal Zelda memories, is truly something special.


DA DA DA, DA DA-DA DA LA DA LA da da da, da da-da da la da la...
I’ve interacted with their products my entire life, and now, after years of steadfast devotion, I finally got my chance to interact with Nintendo itself.  I know ultimately they're a corporation and they care about me only for my money.  I know that, but this weekend they did a great job of making me feel otherwise.

The Bible: The Game

Yesterday I watched this, the Angry Video Game Nerd's third in a series reviewing terrible bible games:

ScrewAttack Video Game, Angry Video Game Nerd: Bible Games III HD | Video Clip | Game Trailers & Videos | GameTrailers.com

This review has me thinking it's time someone made a triple-A 4-star bible game.

The bible has all the makings of a modern blockbuster interactive experience: sex and violence aplenty, epic wars, out-there fantasy, and intimate truths relatable to a mass audience.  And I need not remind anyone it's the best-selling book of all time, so its story must be pretty solid.

It seems only niche Christian developers have any interest in touching the subject, which is a shame because their motivation to indoctrinate people with a Christian message always exceeds their ability to create engaging games (thereby rendering their message moot).  Give the bible to pros like BioWare or Valve and see what they come up with, please! Don't put the message first - let the expertly-designed game, telling the time-tested story, impart the message.

My knowledge of the bible is limited as I haven't studied it since my Catholic high school days, but I know it's fascinating enough to ensnare the attention of the modern gamer if the story is told in a fashion suited to video games.  We want (and I hate the tendency to abuse this word these days) an epic, and nothing less.  Bible games of yore represented only select portions like Noah's Ark, and crudely.  A true, beginning-to-end, Genesis-to-Revelations bible game has never been attempted, and it's time.  With the bible being so long and detailed, I think the best path to building the ultimate bible game is to make a continuous, multi-part series with each game based on a specific chapter, the first being Genesis and soforth (mirroring the structure of the bible), allowing the project the expansive latitude to breathe and accurately adapt the rich detail of the source material.

The tone must reflect the bible honestly, meaning yes, this will be an M-rated bible game, but never in the sensationalist or celebratory form of a GTA, and more akin to the brutal but reverant imagery of The Passion of the Christ.  Careful choices must be made in regard to gameplay since adding interactive choice to the literal bible of bibles will meet with heavy skepticism.  For instance: Cain is the main character of Cain and Abel, and he kills his brother.  Adapt that story accurately, and given that he's the focus, you will be playing as a character fated to kill his brother.  Many will be offended at the game asking you to inhabit his murderous skin and claim it's sacrilege for a bible game to offer that vicarious thrill.  How should the game make you kill your brother with such hatred as Cain felt, and how can the game make you feel remorse, and most importantly, how can the game, in an industry known for offering remorseless violence and terms like "kill count", make it clear you should not be having fun with any of this? The bible as instruction on "right" versus "wrong" has many such violent stories you'll play through.  How do you engage the player without prompting them to enjoy its most sin-filled moments? Difficult questions like these are why only proven game designers and not grass-roots religious organizations should make The Bible: The Game.

I'm really hoping this game happens.  I know this exact idea must've crossed the minds of more than a few game pros, and can only suspect that fears based on abysmal sales of past bible games, and fears of the alienating stigma associated with those message-motivated titles, have kept it as just an idea.  There is, however, a massive market not just for religious products and not just for video games, but for a true representation of the bible in video game form.  It's never been done before.

He, She, Ne

Just now I was reading an article in which the author referred to a theoretical person.  The person, being theoretical, had no gender.  How to refer to such a person? The author chose the term "she".

 "Where is the player supposed to go, and will she know how to get there?"

 "She"? It struck me as odd.  Typically theoretical people are a "he".   Which also strikes me as odd.  Why has the history of the English language not left it with a gender-neutral term for a human being?

 There's "they", as in "if a person buys a ticket, they can watch the show." But "they" is also plural: "If ten people buy tickets, they can watch the show." Crazy.  Then there's the utterly laborious "he or she" some begrudgingly resort to, wearing on his or her sleeve his or her fear of just using "he" and being labeled sexist or "she" and being labeled an overzealous feminist.  Why have we put up with this lack of an obviously necessary term for so long?

I don't know any other languages, but I'm sure many don't have this problem.  Maybe we could borrow a term from one of them. Or maybe we had such a word back in the Shakespeare days of "yore" and feather pens, and it's been lost to time.  I don't care to research it.   Instead I'll just propose a new word: Ne.

"Ne" as in "neutral".  She, he, ne.  Problem fucking solved.  You're welcome.  Now go forth and spread the word, and when people ask what the hell you're talking about, just look at them like they're the idiot. Change begins with you.  Ne!

The Best Games I Played in 2011

This was a bargain bin year for my gametime as I just don't have the funds to purchase every new must-have game, and therefor can't honestly give you a best games of 2011 list. I just didn't play many new releases, so instead I'll recount my favorite games I played this year that were new to me, regardless of their release dates. Maybe you'll find a few here you missed:


Chibi-Robo

Pure joy - that's the acute way to describe the experience of Chibi-Robo. All great games elicit joy of a sort, but this is the only such game I know that's also about joy. As the titular miniature robot, your one and only purpose in life is to make those around you happy. Being the newest object in a household packed with Japanese absurdities (an egg army, an egomaniac action figure, a tiny pirate, etc.), you earn happy points by assisting the Sanderson family with their myriad problems, among them a lazy dad trying to be a better husband, a daughter who only speaks frog, and a mom trying to hold the family together. The genius of Chibi-Robo is it's an adventure game taking place entirely within one house from Chibi's 4-inch-tall viewpoint.




The Legend of Zelda: Ocarina of Time 3D, Link's Awakening DX, Four Swords Special Edition, & Minish Cap

I played a lot of Zelda this year! I have my 3DS to thank for that (thanks 3DS!) as it offered remakes of two games I've played and loved, and two portable Zeldas I somehow missed before. Ocarina as you know by now is the twinkle in my eye, and this 3D portable version makes it shine brighter. Four Swords was fun when included in the GBA Link to the Past cart years ago and it's even more fun now with its new solo mode. Minish Cap, though I'm only an hour or so into it, appears to retain the Zelda charm. And finally the first ever portable Zelda, Link's Awakening (as offered in its GBC DX form on the eShop) - as someone who jumped into the series late with Ocarina, it strikes me just how much the series already found its footing by this, only its third entry.

(Note: please remember I've yet to play the copy of Skyward Sword nestled safely in my sock drawer as I don't presently own a TV, though I've attempted to produce an image by spinning the disc on my finger without significant results)











Mario Kart Arcade GP 2

Two weeks ago I was at Dave & Buster's settling for enjoyable 10 year-old cabinets I'd played before when I turned a corner and found this:

I thought this was only in Japan! I'd longed resigned myself to having two missing stamps on my Mario Kart license as the arcade games weren't available in the states. But there it was! I immediately called my buddy Trey to brag, but apparently he'd played it already and they did bring the sequel here officially to a few hundred locations (without telling me? The nerve!). So how did it play? Exactly as a Mario Kart arcade game should: classic Mario Kart but faster and optimized for a quick thrill. MK staples like Rainbow Road and the starting-line boost trick are all in place, but this Namco-produced game controls looser than its predecessors and more like Ridge Racer (which isn't bad, just takes getting used to). Plus Pac-Man and a roster of Namco characters come along for the ride, though I would never get in a car with them, Luigi. Playa 2 4 lyfe.




Red Dead Redemption

Why o why are there so few western games? Red Dead Redemption sets an impressive standard for the scarcely-populated genre, easily shedding any pretense of simply being Grand Theft Auto on a horse by providing a fully-realized picture of history that lives and breathes with a character entirely unique from Rockstar's other open-world blockbuster.




NBA Jam (iPhone edition)

In fifth grade I mowed a lot of lawns for the right to take home NBA Jam; now most of my fifth grade memories involve boomshakalaking. When NBA Jam's return was announced for Wii, I instinctively mowed fifty lawns before remembering I now have a real job. When the surprise iPhone version dropped earlier this year for only five dollars, I purchased it. Enthusiastically, but with just the amount of hesitation required when buying an iPhone port of a console game. Touch controls are historically butt compared to buttons, especially for fast-paced jams like The Jam. Yet here, somehow, someway, they almost excel. Flicking your fingers to and fro adds to the illusion that you're working b-ball magic. For a measley five bucks it certainly stacks up to the $50 console versions. It's the best iPhone game I've ever played, and worth many lawn mows.




Metroid Fusion

Another missed classic I finally got to play via 3DS. I never got the original Metroid as a kid, and I criminally missed not just Super Metroid but the SNES altogether, so in the last few years I've really enjoyed getting caught up with Nintendo's redheaded stepchild (seriously, they altogether forgot Metroid's 25th birthday this year while giving Zelda a fucking worldwide symphony tour). Metroid Fusion is so damn good that when the free GBA games were released I sidelined Minish Cap, a Zelda I'd anticipated playing since 2004, after one hour to play Fusion for four. The graphics are some of the prettiest I've seen on the GBA, mixing splashes of neon into Metroid's dark palette with memorable effect. The sound design is appropriately dreary and expertly makes me forget I'm playing an emulation of a 16-bit handheld. And the well-paced story makes me want to marathon through all the Metroids in one unblinking sitting.




Donkey Kong Jungle Beat

This game is surely the result of a drunken bet. Betcha can't make a platformer controlled by bongos, someone said. And they said it foolishly, because obviously you can, duh. But who knew it would work this well? The guys at Nintendo, that's who. With power of the woefully-underutilized DK Bongo controller you slap and clap your way across some of the most resplendent run-n-jump jungle gyms ever conceived, no d-pads or analog sticks necessary. Pound right to go right, left to go left, both to jump, and clap to attack. Simple and fun! Now why couldn't Activision do anything as creative with all those plastic guitars?




Back to the Future: The Game

Part of me always wanted another Back to the Future movie, but my practical side said no, the classic trilogy closed the story definitely and perfectly (nuts to those hatin' on Part 3). Then when Telltale announced they'd acquired the rights to the license and applied their trademark point-and-click adventure formula, it dawned on me there should be another chapter and this was the way to make it. Like it and it works as a Part 4, or hate it and dismiss it as just a game and not a true sequel; either way the legacy of the films remains in tact. I'm satisfied with considering it a Part 4, although some technical errors like a near complete lack of lip-synching and glitchy animation throughout keep it from being the immersive cinematic experience it should be. Still it makes my top of the year list because it gets the BTTF characters and comically playful sci-fi lite just right, the story (co-developed by the series' original screenwriter Bob Gale - good move Telltale!) is inventive and gels with the originals just fine, and because my wife and I played through the entire game together. That's one unique benefit of the point-and-click genre which I love: one person plays but everyone watching can enjoy the game, making not just for a fun time but a great shared memory of an experience you conquered together. Bring on Part 5!




And my favorite game of the year of yesteryear is...


Chibi-Robo! Go ahead, dismiss it for its cutesy style (you're the same guy who still won't watch Toy Story because it's a cartoon) - that just leaves more copies for the true gamers with the emotional security and sense of humor to enjoy a crazy made-only-in-Japan family sitcom adventure with a surprising amount of heart, a lot of Zelda in its soul, and a premise so out there it's practically a celebration of the very escapism which makes games so darn fun in the first place. Let the campaign for a 3DS sequel begin here!

The Serviceable Legends of Zelda

My favorite video game series is The Legend of Zelda. Here is how much so: I bought the newest game, Skyward Sword, and I don't even have a TV.

Why buy the game when I don't have a TV? Truthfully I would've waited if not for the limited edition bundle including this sexy Zelda Wiimote:



I might get destroyed for saying this, but Zeldas usually have weak stories. Lovable characters, colorful dialogue, but very rudimentary, cliche fantasy stories. And I'm hoping that's changed with Skyward Sword.

I moved across the country in a mini van a few weeks ago. Rather than occupy precious cargo space with my big boxy TV, I decided the lack of room was a perfect excuse to leave it behind and find myself in need of a huge flat screen (soon...soon...). Of course all my games and systems made the journey, so Skyward Sword (or "Skyward S Word" - Shiiiiiiiiiit!) sits safely in my sock drawer giving me dreams of a richly detailed, twisting and turning Tolkien-worthy fantasy narrative.

I've played every Zelda game save for a few: Oracle of Seasons/Ages, Spirit Tracks, and the crappy CD-i games, and although the gameplay is routinely masterful the stories are always far too simple. Perhaps they're best likened to fairy tales, being good stories efficiently told, only drawing outlines and leaving the player to color them in, and that's fine. After so many years and so many entries in this series just once I'd like to defeat Gannon and feel I finished a mature, intricately-woven literary tome that I would enthusiastically read were it adapted into book form. But even Ocarina of Time is young adult reading at best.

And I say that with Ocarina being my favorite game ever. My brain just swelled with dopamine at the thought of it right then! The older Zeldas had an excuse as they were among the first in the series in a medium so new itself. Now with games passing the forty-year mark the industry has a strong storytelling foothold, and the number of great-read games could fill many bookshelves, but still not one of those books is a Zelda.

I think the closest Zelda's ever come to achieving pageturner status is Majora's Mask, and the reason is they clearly started development with an intersting narrative quagmire - having to relive the same three days saving the world - and not simply an inspired gameplay design a la Ocarina. I once heard that when developing the revolutionary Super Mario 64 Miyamoto's team started with perfecting Mario's control, then built a game around the fun maneuvers they'd developed. It seems to me Zeldas are generally developed the same way: wouldn't it be fun to alternate between worlds (Link to the Past), shrink to ant size (Minish Cap), or slow time (Phantom Hourglass), and the story is then "painted over" the established mechanic. There's nothing narratively compelling about the mechanic itself. Majora's Mask's three day cycle is a gameplay device sure, but it's also in and of itself an intriguing nugget of a story with questions that immediately spring to mind: What happens in those three days? Why does Link repeat them? With such a strong foundation informing the gameplay and the narrative equally, the game as a whole can only get better from there.

I have great hope for Skyward Sword because I think it begins with a similarly promising story and central gameplay mechanic, those being the origin tale of the Master Sword and the 1:1 swordplay controls. For a cohesive end product, story and gameplay must sprout from the same seed and be inseparably codependant. If the gameplay is so spectacular I feel like I'm affecting a virtual world, then I want the narrative depth allowing me to do unforgettable, fantastic things in it.

Writing Routinely

This is a companion piece to my previous post in which I wrote about the importance of writing throughout the day whenever you can find a morsel of time. I should elaborate to say I find it helpful to devote routine, solid chunks of time to writing and only writing.

Just this second a friend texted me on this very phone on which I'm writing, and with lightning speed I denied a response. This is how seriously I guard my writing time these days; I refuse to sacrifice even ten seconds for anything else. The problem is not sacrificing those ten seconds. It's the sixty or one hundred and twenty seconds or on some days much, much longer my brain requires to shift back into writing gear. My writing time is nothing less than sacred. That speaks nothing of the potential turds I churn out during writing time, but I think it's important to respect your work enough to let everything else take a back seat for at least one solid, sustained period every day.

It should be the exact same time every day too - thats's hugely important. You'll find that by forcing yourself to write always at 2 PM no matter if you're not in the mood, eventually you'll feel the urge to write at 2 PM just as you get hungry around midday and tired at night. Conditioning your mind for creativity is absolutely essential in being a productive, prolific writer.

I think often of prolific writers and wonder about their creative methods. Just how do they write so damn much?! I used to believe R.L. Stein was just a pen name used by many writers because hell, there are over 150 Goosebumps books. Turns out he's one guy who made a habit of writing one to two novels per month. Per month! I haven't even written one in all my 29 years! Did the man not sleep, ignore his wife and kids, and wear earplugs 24/7? Did he never have a doctor's appointment, a friend asking to hang out, or a picnic to pack for? Is he still racking up overdue fees with unwatched Blockbuster VHSs from fifteen years ago? Just how did he manage the rest of his life?



To find that time will require that you budget the rest of your time wisely too. This is where writing really stops being a hobby and becomes a discipline. You cannot ignore the other equally important aspects of your life in favor of writing time. I'm still in the process of figuring this out myself, that you must have balance in your non-writing hours to sustain your creative ability and motivation. I have a terrible tendency to gung-ho my way about everything I'm presently doing to the total exclusion of everything else, and let me tell you that twenty-hour nonstop writing sessions do not make you a good writer. They make you an odorous, grumpy person, who's pissed off those whose calls he ignored and the cats whose litterbox he didn't clean, with a stack of dishes in the sink, unpaid bills stuffing the mailbox, a flickering light above that still needs to be fixed, and fifty pages of mediocre writing for the day who will not want to write again for a month.

You can't really think in terms of "writing time" and "other time" because they are so entwined that if you've got too much "other time" stuff on your mind, it's a clog in your creative pipes, and if you never write (or draw, sing, or whatever your creative outlet may be), then you'll be too depressed to do anything to your full ability. Just give every necessary activity its very own routine timeslot, and quickly you'll fall into a daily rhythm of productivity and naturally-occuring motivation to be creative.